Ruling England, now in its second edition, is a key text for students wishing to understand the complexities of medieval kingship in England from 1042-1217. Beginning just before the Norman Conquest, and ending with the ratification of Magna Carta, this book is divided into three parts: Late Anglo-Saxon England, Anglo-Norman England and Angevin England. Richard Huscroft considers the reign of each king during these periods, including their relationships with the nobility, local government, the courts and the Church and poses the central question of how the ruler of the most sophisticated kingdom in twelfth century Europe was eventually compelled to submit to the humiliation of Magna Carta at the start of the thirteenth. This new edition has been fully revised and updated to take into account the latest scholarship. Throughout the book key areas of historiographical debate are highlighted and analysed, including nationhood, feudalism and Magna Carta. The narrative is supported by maps, a genealogy of the kings of England, a chronology, a glossary and an introduction to the principal narrative sources and their authors to provide a thorough introduction to the political history of medieval England. This book will be essential reading for students of English medieval history.

Ruling England, 1042-1217

Variant: Ruling England, 1042-1217

Warehouse 200

Positioned precariously between the uptight '50s and the freewheeling '70s, the 1960s marked a transitional decade in the film industry. As art, mass market, and pop culture merged and collided in true pop art style, cinema swirled with psychedelic energy. This handbook gathers the best films of the era, exploring the making and the mastery of such cinematic star turns as The Leopard, The Birds, Belle de Jour, A Fistful of Dollars, and Doctor Zhivago. With audiences ever more glued to their TV sets and the loosened rules about what was "permissible" in cinema with the abolition of the Production Code, filmmakers embraced the freedom to explore the possibilities of film as an art form. As was often the case, the Europeans led the way, the French with Nouvelle Vague directors like Godard and Truffaut, and the Italians with such innovative films as Fellini's 8 1/2 and Antonioni's Eclipse. By the mid-'60s the United States also began to exercise greater creative liberties, especially in films from young underground directors such as Russ Meyer, John Frankenheimer, and Sam Peckinpah. Meanwhile, Mary Poppins and The Sound of Music ushered out the grandiose Hollywood musical era with a bang while the Spaghetti Western became an instant phenomenon. Bond, James Bond, first appeared on-screen and Kubrick set new standards for sci-fi with 2001: A Space Odyssey. Though the term "feminism" may not have been ready for prime time, the decade was also one of major advances in female characterization. From Jane Fonda's Barbarella to Holly Golightly of Breakfast at Tiffany's to Bonnie Parker of Bonnie and Clyde, it was the 1960s that saw women on-screen graduate from decorative accessories to complex, kick-ass personas. About the series Bibliotheca Universalis - Compact cultural companions celebrating the eclectic TASCHEN universe!

Movies of the 60s

Variant: Movies of the 60s

"We must remember that in the brutality of battle another such apocalypse is always just around the corner." -Sebastião Salgado In January and February 1991, as the United States-led coalition drove Iraqi forces out of Kuwait, Saddam Hussein's troops retaliated with an inferno. At some 700 oil wells and an unspecified number of oil-filled low-lying areas they ignited vast, raging fires, creating one of the worst environmental disasters in living memory. As the desperate efforts to contain and extinguish the conflagration progressed, Sebastião Salgado traveled to Kuwait to witness the crisis firsthand. The conditions were excruciating. The heat was so vicious that Salgado's smallest lens warped. A journalist and another photographer were killed when a slick ignited as they crossed it. Sticking close to the firefighters, and with characteristic sensitivity to both human and environmental impact, Salgado captured the terrifying scale of this "huge theater the size of the planet": the ravaged landscape; the sweltering temperatures; the air choking on charred sand and soot; the blistered remains of camels; the sand still littered with cluster bombs; and the flames and smoke soaring to the skies, blocking out the sunlight, dwarfing the oil-coated firefighters. Salgado's epic pictures first appeared in the New York Times Magazine in June 1991 and were subsequently awarded the Oskar Barnack Award, recognizing outstanding images on the relationship between man and the environment. Kuwait: A Desert on Fire is the first monograph of this astonishing series. Like Genesis, Exodus, and The Children, it is as much a major document of modern history as an extraordinary body of photographic work.

Sebastião Salgado - Kuwait

Variant: Sebastião Salgado - Kuwait

It has been almost a generation since Sebastião Salgado first published Exodus but the story it tells, of fraught human movement around the globe, has changed little in 16 years. The push and pull factors may shift, the nexus of conflict relocates from Rwanda to Syria, but the people who leave their homes tell the same tale: deprivation, hardship, and glimmers of hope, plotted along a journey of great psychological, as well as physical, toil. Salgado spent six years with migrant peoples, visiting more than 35 countries to document displacement on the road, in camps, and in overcrowded city slums where new arrivals often end up. His project includes Latin Americans entering the United States, Jews leaving the former Soviet Union, Kosovars fleeing into Albania, the Hutu refugees of Rwanda, as well as the first "boat people" of Arabs and sub-Saharan Africans trying to reach Europe across the Mediterranean ea. His images feature those who know where they are going and those who are simply in flight, relieved to be alive and uninjured enough to run. The faces he meets present dignity and compassion in the most bitter of circumstances, but also the many ravaged marks of violence, hatred, and greed. With his particular eye for detail and motion, Salgado captures the heart-stopping moments of migratory movement, as much as the mass flux. There are laden trucks, crowded boats, and camps stretched out to a clouded horizon, and then there is the small, bandaged leg; the fingerprint on a page; the interview with a border guard; the bundle and baby clutched to a mother's breast. Insisting on the scale of the migrant phenomenon, Salgado also asserts, with characteristic humanism, the personal story within the overwhelming numbers. Against the indistinct faces of televised footage or the crowds caught beneath a newspaper headline, what we find here are portraits of individual identities, even in the abyss of a lost land, home, and, often, loved ones. At the same time, Salgado also declares the commonality of the migrant situation as a shared, global experience. He summons his viewers not simply as spectators of the refugee and exile suffering, but as actors in the social, political, economic, and environmental shifts which contribute to the migratory phenomenon. As the boats bobbing up on the Greek and Italian coastline bring migration home to Europe like no mass movement since the Second World War, Exodus cries out not only for our heightened awareness but also for responsibility and engagement. In face of the scarred bodies, the hundreds of bare feet on hot tarmac, our imperative is not to look on in compassion, but, in Salgado's own words, to temper our behaviors in a "new regimen of coexistence."

Exodus - Sebastião Salgado

Variant: Exodus - Sebastião Salgado

Ren Hang, who took his life February 23, 2017, was an unlikely rebel. Slight of build, shy by nature, prone to fits of depression, the 29-year-old Beijing photographer was nonetheless at the forefront Chinese artists' battle for creative freedom. Like his champion Ai Weiwei, Ren was controversial in his homeland and wildly popular in the rest of the world. He said, "I don't really view my work as taboo, because I don't think so much in cultural context, or political context. I don't intentionally push boundaries, I just do what I do." Why? Because his models, friends, and in his last years, fans, are naked, often outdoors, high in the trees or on the terrifyingly vertiginous rooftops of Beijing, stacked like building blocks, heads wrapped in octopi, body cavities sprouting phone cords and flowers, whatever entered his mind at the moment. He denied his intentions were sexual, and there is a clean detachment about even his most extreme images: the urine, the insertions, the many, many erections. In a 2013 interview VICE magazine asked, "there are a lot of dicks . do you just like dicks?" Ren responded, "It's not just dicks I'm interested in, I like to portray every organ in a fresh, vivid and emotional way." True though that may be, the penises Ren photographed were not just fresh and vivid, but unusually large, making one wonder just where he met his friends. In the same piece, Hang also stated, "Gender isn't important when I'm taking pictures, it only matters to me when I'm having sex," making him a pioneer of gender inclusiveness. Young fans still eagerly flock to his website and Facebook, Instagram, and Flickr accounts. His photographs, all produced on film, have been the subject of over 20 solo and 70 group shows in his brief six-year career, in cities as disparate as Tokyo, Athens, Paris, New York, Copenhagen, Frankfurt, Vienna, and yes, even Beijing. He self-published 16 monographs, in tiny print runs, that now sell for up to $ 600. TASCHEN's Ren Hang is his only international collection, covering his entire career, with well-loved favorites and many never-before-seen photos of men, women, Beijing, and those many, many erections. We take solace remembering Ren's joy when he first held the book, shared by his long-time partner Jiaqi, featured on the cover.

Ren Hang

Variant: Ren Hang

"You're already famous, now you're going to make me famous," photographer Lawrence Schiller said to Marilyn Monroe as they discussed the photos he was about to shoot of her. "Don't be so cocky," Marilyn replied, "photographers can be easily replaced." The year was 1962, and Schiller, 25, was on assignment for Paris Match magazine. He already knew Marilyn-they had met on the set of Let's Make Love-but nothing could have prepared him for the day she appeared nude in the motion picture Something's Got to Give. Marilyn & Me is an intimate story of a legend before her fall and a young photographer on his way up. Schiller's extraordinary photographs and vibrant storytelling take us back to that time with tact, humor, and compassion. With more than 100 images, including rare outtakes from the set of Marilyn's last film, the result is a real and unexpected portrait that captures the star in the midst of her final months.

Marilyn & Me

Variant: Marilyn & me

From the moment Star Wars burst onto the screen in 1977, audiences have been in equal parts fascinated and appalled by the half-man/half-machine hybrid Darth Vader. In 1999, creator George Lucas began the story of how Anakin Skywalker grew up to train as a Jedi under Obi-Wan Kenobi, found love with the Queen of Naboo, Padmé Amidala, before turning to the dark side of his nature and becoming more machine than man. After driving the development of nascent digital technology, George Lucas perceived how he could create new creatures and new worlds on a grander scale than ever before. He created the first digital blockbuster, and met fierce resistance when he pushed for widespread digital cameras, sets, characters, and projection - all of which are now used throughout the industry. He essentially popularized the modern way of making movies. Made with the full cooperation of George Lucas and Lucasfilm, this second volume covers the making of the prequel trilogy - Episode I The Phantom Menace, Episode II Attack of the Clones, and Episode III Revenge of the Sith - and features exclusive interviews with Lucas and his collaborators. The book is profusely illustrated with script pages, production documents, concept art, storyboards, on-set photography, stills, and posters.

The Star Wars Archives. 1999-2005

Variant: The Star Wars archives. 1999-2005

More than any other piece of furniture, the chair has been subjected to the wildest dreams of the designer. The particular curve of a backrest, or the twist of a leg, the angle of a seat or the color of the entire artifact; each element reflects the stylistic consciousness of an era. From Gerrit Rietveld and Alvar Aalto to Verner Panton and Eva Zeisel, from Art Nouveau to International Style, from Pop Art to Postmodernism, the history of the chair is so complex that it requires a comprehensive encyclopedic work to do it full justice. They are all here: Thonet's bentwood chairs and Hoffmann's sitting-machines, Marcel Breuer's Wassily chair and Ron Arad's avant-garde armchairs. Early designers and pioneers of the modern chair are presented alongside the most recent innovations in seating. This dedicated compendium displays each chair as pure form, along with biographical and historical information about the pieces and their designers. An illuminating tome for design aficionados and an essential reference for collectors! About the series Bibliotheca Universalis - Compact cultural companions celebrating the eclectic TASCHEN universe!

1000 Chairs

Variant: 1000 chairs

The life of Antoni Gaudì (1852-1926) was full of complexity and contradictions. As a young man he joined the Catalonian nationalist movement and was critical of the church; toward the end of his life he devoted himself completely to the construction of one single spectacular church, La Sagrada Familia. In his youth, he courted a glamorous social life and the demeanor of a dandy. By the time of his death in a tram accident on the streets of Barcelona his clothes were so shabby passersby assumed he was a beggar. Gaudì's incomparable architecture channels much of this multifaceted intricacy. From the shimmering textures and skeletal forms of Casa Batlló to the Hispano-Arabic matrix of Casa Vicens, his work merged the influences of Orientalism, natural forms, new materials, and religious faith into a unique Modernista aesthetic. Today, his unique aesthetic enjoys global popularity and acclaim. His magnum opus, the Sagrada Familia, is the most-visited monument in Spain, and seven of his works are UNESCO World Heritage Sites. Through brand-new photography, plans and drawings by Gaudì himself, historical photos, as well as an appendix detailing all his works-from buildings to furniture, decor to unfinished projects-this book presents Gaudì's universe like never before. Like a personal tour through Barcelona, we discover how the "Dante of architecture" was a builder in the truest sense of the word, crafting extraordinary constructions out of minute and mesmerizing details, and transforming fantastical visions into realities on the city streets.

Gaudi

Variant: Gaudi

Inventor, painter, sculptor, scientist, architect, and engineer Leonardo da Vinci (1452-1519) was nothing short of a quintessential Renaissance genius. No other artist of his generation has left behind such an extensive, authentic, and innovative oeuvre-yet Leonardo remains the most enigmatic of them all. From the beguiling Last Supper to the showstopping Mona Lisa, discover the complete painted oeuvre of one of history's most insatiable creative masters. This collection draws from our extensive best-selling XXL edition, one of the most complete explorations of Leonardo to date, to trace his life and work across 10 chapters. All known paintings are featured, gathering some of the finest treasures of the Louvre, Prado, and National Gallery, as well as works lost to time, but no less startling in their precision and poise. This definitive volume is complete with crisp details, accessible essays situating Leonardo's approach within its socio-cultural context and pictorial traditions of the time, the latest scientific insights, as well as an updated foreword that illuminates one of the most sensational art historical discoveries of our time: the record-breaking Salvator Mundi.

Leonardo Da Vinci

Variant: Leonardo da Vinci

Mert Alas, born in Turkey, and Marcus Piggott, born in Wales, met in 1994, at a party on a pier in Hastings, England. Piggott asked Alas for a light, the pair got talking, and rapidly discovered they had plenty in common, not least a love of fashion. Three years later, the duo now known as Mert and Marcus had moved into a derelict loft in East London, converted it into a studio, and had their first collaborative photographic work published in Dazed & Confused. These days, Mert and Marcus shape the global image of such renowned brands as Giorgio Armani, Roberto Cavalli, Fendi, Miu Miu, Gucci, Yves Saint Laurent, Givenchy, and Lancôme, and public figures including Lady Gaga, Madonna, Jennifer Lopez, Linda Evangelista, Gisele Bündchen, Björk, Angelina Jolie, and Rihanna. Their photographs encompass a wide range of styles and influences but are renowned particularly for their use of digitized augmentation of images, and a fascination for strong, sexually charged, confident female subjects: "powerful women, women with a meaning, a you-don't-have-to-talk-or-move-too-much-to-tell-who-you-are kind of woman." Bringing our best-selling Collector's Edition to an affordable, compact format, this collection explores the unique vision of a creative partnership that has defined and redefined standards for glamour, fashion, and luxury. Approximately 300 images from the megawatt Mert and Marcus portfolio are accompanied by an introduction by Charlotte Cotton. First published as a TASCHEN Collector's Edition, now available as an affordable, compact edition

Mert Alas & Marcus Piggott

Variant: Mert Alas & Marcus Piggott

"Sirs" begins the missive from our imaginary correspondent. "It's not that I don't love your original Big Penis Book, but that, perhaps, I love it too much. I now become anxious leaving the house without it, and long business trips are simply torture. Couldn't you make a smaller, less obtrusive edition, still packed with men whose generative members measure over 8 inches, that doesn't form a suspiciously large bulge in my carry-on luggage? And while you're at it, could you make it highly affordable, since my pockets are as shallow as this premise?" Done! The Little Big Penis Book features over 150 massively endowed models from the 1940s through the '90s, including photos by Bob Mizer of AMG, David Hurles of Old Reliable, Rip Colt of Colt Studio, Craig Calvin Anderson of Sierra Domino, Hal Roth of Filmco, Jim Jaeger of Third World Studios, Falcon Studios, Mike Arlen, Fred Bisonnes, Carlos Quiroz, and Charles Hovland in a compact and inexpensive format. Photos come not just from the original overstuffed 384-page edition, but from subsequent Big Penis Calendars, meaning that 30% of the content is unique to this edition. Add a reduced text to make more room for the stunning black-and-white and color photos and how could anyone-big, small, or just right-ask for a better deal?

The Big Penis Book

Variant: The big penis book

From the time The Big Penis Book was published, readers anticipated The Big Book of Pussy. Granted, perhaps not the same readers, but the seed had been planted and the calls and letters began flowing in. Once they had that long-awaited book, some found themselves overwhelmed by the variety and abundance, as well as the sheer size of the book. As one reviewer wrote, "let's give credit to Amazon for.the strength of its packaging. Who wants a 2-ton pussy book being 'exposed' for the mailman.?" For those who worry that there can be too much of a good thing, we've made a pared down, "best of" edition of The Big Book of Pussy, a petite little kitten of a book that puts those in-your-face photos in proper perspective. Now you can follow the evolution of genital exposure with ease, through 100 years of photos with one thing in common: the exhibitionistic pleasure with which the models present their feminine pulchritude. And with over 150 photos-36 new to this book-of the pet we love to pet, no bothersome text to interrupt the flow, all in a package that won't stress the mailman's back, we just may have produced the perfect self-gifter of the year.

The Big Book of Pussy

Variant: The big book of pussy

To explore the Tarot is to explore ourselves, to be reminded of the universality of our longing for meaning, for purpose and for a connection to the divine. This 600-year-old tradition reflects not only a history of seekers, but our journey of artistic expression and the ways we communicate our collective human story. For many in the West, Tarot exists in the shadow place of our cultural consciousness, a metaphysical tradition assigned to the dusty glass cabinets of the arcane. Its history, long and obscure, has been passed down through secret writing, oral tradition, and the scholarly tomes of philosophers and sages. Hundreds of years and hundreds of creative hands-mystics and artists often working in collaboration-have transformed what was essentially a parlor game into a source of divination and system of self-exploration, as each new generation has sought to evolve the form and reinterpret the medium. Author Jessica Hundley traces this fascinating history in Tarot, the debut volume in TASCHEN's Library of Esoterica series. The book explores the symbolic meaning behind more than 500 cards and works of original art, two thirds of which have never been published outside of the decks themselves. It's the first ever visual compendium of its kind, spanning from Medieval to modern, and artfully arranged according to the sequencing of the 78 cards of the Major and Minor Arcana. It explores the powerful influence of Tarot as muse to artists like Salvador Dalì and Niki de Saint Phalle and includes the decks of nearly 100 diverse contemporary artists from around the world, all of whom have embraced the medium for its capacity to push cultural identity forward. Rounding out the volume are excerpts from thinkers such as Éliphas Lévi, Carl Jung, and Joseph Campbell; a foreword by artist Penny Slinger; a guide to reading the cards by Johannes Fiebig; and an essay on oracle decks by Marcella Kroll. About the series The Library of Esoterica explores how centuries of artists have given form to mysticism, translating the arcane and the obscure into enduring, visionary works of art. Each subject is showcased through both modern and archival imagery culled from private collectors, libraries, and museums around the globe. The result forms an inclusive visual history, a study of our primal pull to dream and nightmare, and the creative ways we strive to connect to the divine.

Tarot

Variant: Tarot

Warehouse 363

Designing private residences has its own very special challenges and nuances for the architect. The scale may be more modest than public projects, the technical fittings less complex than an industrial site, but the preferences, requirements, and vision of particular personalities becomes priority. The delicate task is to translate all the emotive associations and practical requirements of "home" into a workable, constructed reality. This publication rounds up 100 of the world's most interesting and pioneering homes designed in the past two decades, featuring a host of talents both new and established, including John Pawson,Shigeru Ban, Tadao Ando, Zaha Hadid, Herzog & de Meuron, Daniel Libeskind, Alvaro Siza, and Peter Zumthor. Accommodating daily routines of eating, sleeping, and shelter, as well as offering the space for personal experience and relationships, this is architecture at its most elementary and its most intimate.

Contemporary Houses

Variant: Contemporary houses

Virtually unparalleled in scope and spanning more than five decades, the photography of visionary Helmut Newton (1920-2004) reached millions through publication in magazines like Vogue and Elle. His oeuvre transcended genres, bringing elegance, style, and voyeurism to fashion, portrait, and glamour photography through a body of work that remains as inimitable as it is unrivaled. Having mastered the art of fashion photography early in his career, Newton's shoots invariably went beyond standard practice, blurring the lines between reality and illusion. Newton's clear aesthetic pervades all areas of his work, particularly fashion, portraiture, and nude photography. Women take center stage - with subjects such as Catherine Deneuve, Liz Taylor, and Charlotte Rampling. Moving beyond traditional narrative approaches, Newton's fashion photography is imbued not only with luxurious elegance and subtle seduction, but also cultural references and a surprising sense of humor. During the 1990s, Newton shot for the German, American, Italian, French, and Russian editions of Vogue, primarily in and around Monte Carlo where he was living from 1981 onwards. Transforming locations like his own garage into starkly contrasting or particularly minimalist theatrical stages, Newton would often portray the eccentric lives of the beautiful and rich, full of eroticism and elegance, in unconventional scenarios. He made use of and simultaneously questioned visual clichés, at times tinged with self-irony or mockery, but always full of empathy. Helmut Newton. Legacy, which accompanies an international exhibition tour of Newton's work, showcases highlights from one of the most published bodies of work in photography, including numerous rediscovered images. A prolific image maker and genuine visionary, this book celebrates Newton's lasting influence on modern photography and visual art to this day.

Helmut Newton - Legacy

Variant: Helmut Newton - legacy

The concept of "postmigration" has recently gained importance in the context of European societies' obsession with migration and integration along with emerging new forms of exclusion and nationalisms. This book introduces ongoing debates on the developing concept of "postmigration" and how it can be applied to arts and culture. While the concept has mainly gained traction in the cultural scene in Berlin, Germany, the contributions expand the field of study by attending to cultural expressions in literature, theatre, film, and art across various European societies, such as the United Kingdom, France, Finland, Denmark, and Germany. By doing so, the contributions highlight this concept's potential and show how it can offer new perspectives on transformations caused by migration.

Postmigration

Variant: Postmigration

New knowledge, created in international cooperation, is essential for global sustainability. Set against this background, this study focuses on German science policy for research cooperation with developing countries and emerging economies in sustainability research. Based on interviews with policy makers and researchers, the book scrutinizes the actors, processes and contents of science policy in Germany. The author argues that science policy mainly aims at German economic benefits and technology development. This, however, negatively influences global sustainability. To counter existing path dependencies, the author provides recommendations for sustainability-oriented scientific practice and science policy.

Sustainable Development in Science Policy-Making

Variant: Sustainable Development in Science Policy-Making

Is the family in crisis? Or do crises crystallize in families' lived realities? Families as constitutive units of all social architectures are central to our democracies. In this book, scholars from cultural, gender, and media studies, lawyers, sociologists, and historians discuss how today's rainbow variety of families crosses borders and how cultural texts - films, TV-series, novels, short stories and magazines, from Europe (Germany, Italy, Spain) and the US - (de-)construct, take part in, and mirror family discourses around topics such as father(hood)s, mother(hood)s and parentage, reproductive decisions and adoption, marriage and divorce, poverty and welfare, and the rhetoric of the nuclear family.

Family in Crisis?

Variant: Family in Crisis?

The United Nations Economic Commission for Europe (ECE) Environmental Performance Review (EPR) Programme assesses progress made by individual countries in reconciling their economic and social development with environmental protection, as well as in meeting international commitments on environment and sustainable development. The Environmental Performance Review Programme assists countries to improve their environmental policies by making concrete recommendations for better policy design and implementation. Environmental Performance Reviews help to integrate environmental policies into sector-specific policies such as those in agriculture, energy, transport and health. Through the peer review process, the reviews promote dialogue among Governments about the effectiveness of environmental policies as well as the exchange of practical experience in implementing sustainable development and green economy initiatives. They also promote greater Government accountability to the public. The present publication contains the third Environmental Performance Review of Uzbekistan. It takes stock of progress made by Uzbekistan in the management of its environment since it was reviewed for the second time in 2009-2010. It covers legal and policy frameworks and environmental compliance assurance mechanisms and addresses the topics of greening the economy, environmental monitoring, public participation and education. Furthermore, it addresses issues of specific importance to the country related to air protection, biodiversity and protected areas, as well as water, waste and chemicals management. The report also examines the efforts of Uzbekistan to integrate environmental considerations into its policies in the energy, agriculture, transport, industry and health sectors and to make human settlements more environmentally friendly. The Aral Sea disaster and its consequences for the environment and human health come as a cross cutting issue throughout the review. The review further provides a substantive and policy analysis of the country's climate change adaptation and mitigation measures and its participation in international mechanisms. It includes an assessment of relevant targets of the 2030 Agenda for Sustainable Development and provides recommendations related to the achievement of Sustainable Development Goals. The publication is aimed at officials and experts working for public authorities responsible for environmental policy, representatives of civil society, the business community, academia and the media. The EPR Programme is an important instrument for countries with economies in transition. Third-cycle EPRs focus on environmental governance and financing in a green economy context, countries' cooperation with the international community and environmental mainstreaming in priority sectors. Through the peer review process, EPRs also promote dialogue among ECE member countries and harmonization of environmental conditions and policies throughout the region.

Environmental Performance Reviews

Variant: Environmental Performance Reviews

Mark Sealy discusses the critical work photographic images do in culture. Through photography, the book engages with notions of history, alienation, migration, civil and human rights, community and representational politics.

Ruling England, 1042-1217

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