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The Chestnut Man: The gripping debut novel from the writer of The Killing

ISBN: 9781405939768
€9.99
€10.80
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'A full-throttle thriller in the tradition of classic Stieg Larsson, drenched in atmosphere and charged with adrenaline. Buckle up. You'll gulp down every word. I loved this book' A. J. Finn, author of The Woman In The Window

THE DEBUT NOVEL FROM THE CREATOR AND WRITER OF HIT TV SHOW THE KILLING

One blustery October morning in a quiet Copenhagen suburb, the police make a terrible discovery. A young woman is found brutally murdered with one of her hands missing. Above her hangs a small doll made of chestnuts.

Ambitious young detective Naia Thulin is assigned the case. Her partner, Mark Hess, is a burned-out investigator who's just been kicked out of Europol. They soon discover a mysterious piece of evidence on the chestnut man - evidence connecting it to a girl who went missing a year earlier and is presumed dead; the daughter of politician Rosa Hartung. The man who confessed to her murder is behind bars and the case long since closed.

Soon afterwards, a second woman is found murdered, along with another chestnut man. Thulin and Hess suspect that there's a connection between the Hartung case and the murdered women. But what is it?

Thulin and Hess are racing against the clock, because it's clear that the killer is on a mission that is far from over . . .

'As in The Killing television series, Sveistrup offers lessons to seasoned practitioners of the serial-killer whodunit in how to inject new energy into this near-exhausted subgenre, and a reminder (via his portrayal of the families, homes and workplaces that his cops visit) that crimewriting has the potential to be eye-opening, panoramic social realism' Sunday Times
___________

Praise for The Killing

'Soren Sveistrup, is clearly a master craftsman' Telegraph

'TV of the absolute finest quality . . . the writing shines' Guardian

'Excellent . . . A shrewd mix of police procedural, political thriller and domestic drama' New York Times

'The most talked-about, boxset-friendly cultural landmarks of the 21st century to date' Independent

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Description

'A full-throttle thriller in the tradition of classic Stieg Larsson, drenched in atmosphere and charged with adrenaline. Buckle up. You'll gulp down every word. I loved this book' A. J. Finn, author of The Woman In The Window

THE DEBUT NOVEL FROM THE CREATOR AND WRITER OF HIT TV SHOW THE KILLING

One blustery October morning in a quiet Copenhagen suburb, the police make a terrible discovery. A young woman is found brutally murdered with one of her hands missing. Above her hangs a small doll made of chestnuts.

Ambitious young detective Naia Thulin is assigned the case. Her partner, Mark Hess, is a burned-out investigator who's just been kicked out of Europol. They soon discover a mysterious piece of evidence on the chestnut man - evidence connecting it to a girl who went missing a year earlier and is presumed dead; the daughter of politician Rosa Hartung. The man who confessed to her murder is behind bars and the case long since closed.

Soon afterwards, a second woman is found murdered, along with another chestnut man. Thulin and Hess suspect that there's a connection between the Hartung case and the murdered women. But what is it?

Thulin and Hess are racing against the clock, because it's clear that the killer is on a mission that is far from over . . .

'As in The Killing television series, Sveistrup offers lessons to seasoned practitioners of the serial-killer whodunit in how to inject new energy into this near-exhausted subgenre, and a reminder (via his portrayal of the families, homes and workplaces that his cops visit) that crimewriting has the potential to be eye-opening, panoramic social realism' Sunday Times
___________

Praise for The Killing

'Soren Sveistrup, is clearly a master craftsman' Telegraph

'TV of the absolute finest quality . . . the writing shines' Guardian

'Excellent . . . A shrewd mix of police procedural, political thriller and domestic drama' New York Times

'The most talked-about, boxset-friendly cultural landmarks of the 21st century to date' Independent

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